Posted in Writing advice that may or may not be completely wrong

There Are No Absolutes in Writing #2

Part 2 of a series in which I explain why absolute advice given to writers is more wrong than this:


Part 1 focused on the advice “you must write every single day” and can be found here: No Absolutes in Writing #1

Today’s Absolute Advice: You are a planner or a pantser and you must declare your camp now or forever hold your pen. 

The wisdom behind it: Apparently writers either:

  1. undergo a lobotomy so their minds are completely blank then sit down at a computer and “let the characters dictate their journey” (pantsers) or;
  2. plan every event in the novel in meticulous detail with diagrams and graphs at least three years before they actually type “Once upon a time.” (planners).


Planner’s plans for the building her MC walks past in that 243-word scene. Image from
PANTSTER MUST NOT BE SOILED BY ANY EXTERNAL STIMULI. Image from chocosunday’s deviantart.

The origins of the term ‘pantser’ is the idiom ‘fly by the seat of your pants’. I think it’s a stupid word especially because I always bloody type panster and then have to go back and correct it. God damn idiom-makers ruining my life.

Sensible Advice: You might be a planner who writes 100k words of notes before you start. You might be a pantser who sits down not even knowing what genre you’re going to write in.

But the likelihood is you’re somewhere in between those two extremes.

Most “pantsers” plan somewhat, either on paper or in their heads. Maybe they have a great ending in their mind but don’t know what leads up to it. Maybe they have a great character they want to write but they don’t know what will happen to him/her.

Mostly they’ll know a bit about the plot, a bit about the characters, and a bit about the setting. The rest will be made up as they go.

Most “planners” pants it somewhat. Maybe they’ve written extensive character bios, carried out character interviews and know where the main character was at 3pm on 12 April 2007 but they don’t know how that character will have changed by the end of the novel. Maybe they’ve created CGIs of the fictional world their characters live in but have no idea why the main character and the sidekick are friends.

Some details won’t come out until they write, no matter how much planning they’ve done.

Me? The kind of people who insist you’re one or the other would call me a planner.

The extent of my planning is a little table outlining what happens in each chapter, what the reader is supposed to learn about the characters from it, and how it affects the character arc. Perhaps that sounds extensive but it’s fewer than 50 words per 2,500-ish-word chapter.

E.g. for the first chapter of my current novel:

Main events: Sam confesses to Ally that he’s told his family they’re engaged because he doesn’t want to admit he’s gay. She agrees to meet his family as his fiancée. 

What it shows: Sam and Ally are very close and she’d do anything for him. Sam’s brother is a prat.

Ally’s character arc: She’s distracted, carefree and irresponsible.

Other MC’s character arc: n/a (he’s not introduced until Chapter 2)

That’s what I sit down to write with. I don’t know how the conversation between Sam and Ally will go until I begin typing. I don’t know what setting it takes place in. I don’t know if Ally will be angry, shocked or amused when Sam confesses. This comes out as I write.

I’m not a planner.

I’m not a pantser.

I’m a plantster. And, I bet, so are you.

Next in the No Absolutes In Writing series: I’m not entirely sure yet. Leave a comment if there’s a piece of advice that irks you?


Romance author

10 thoughts on “There Are No Absolutes in Writing #2

  1. I’m a panzer myself….

    How about …ahem, adopts virtuous tone …”I go through my manuscript and remove all words ending in -ly, because they’re adverbs and you’re not supposed to use them. Some Great Writer said that.”


    “Said” is the only dialogue tag you should ever use.

    Liked by 1 person

  2. Ditto here, although I’m more of a pantser than a planner. I know the overall storyline, but I find out about my characters’ lives as I write. To me, it’s more exciting than having it all prepared and rehearsed beforehand. I change my mind sometimes too, and a scene will then go in a different direction than intended at the beginning. I like the unknown and the spontaneity as I write my stories.

    Liked by 1 person

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